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Tag Archives: Osophone
Acetylene snares
“Raygun gothic,” William Gibson called it in The Gernsback Continuum, his term for the ‘tomorrow that never was’ and still the most vivid description of a certain style of retro-futurist, space age classicism exemplified by Frank R. Paul’s 1920s artwork … Continue reading →
Posted in instrumentality, writing sound
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Tagged bone conduction speakers, David Bloor, David Toop, Hugo Gernsback, John Latham, John Lilly, listening, Osophone, reminiscence work, smog, William Gibson
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2 Comments
davidtoop 
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