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on&on&on&on: Daniel Blumberg
“And now he was playing, alas, the piano,” the first sentence of Robert Walser’s short prose text written in 1925, “making it sound like a deep and intimate promise, which isn’t at all the way to start a novel.” An … Continue reading
Posted in instrumentality, Uncategorized
Tagged Daniel Blumber, Robert Walser, Ute Kanngiesser
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Who will go mad with me
We were on Dartmoor, Brent Fore Hill at Ball Gate to be exact. The date was the 29th July, 1971, though there was little evidence of summer to be heard in the howling wind. During the same year I was … Continue reading
FLAT TIME/sounding: the absent desire object
A question to be asked: why compose for improvisers? Questions are directed at time: what are the possibilities for articulating time? Improvisations splinter time. Hit a sheet of glass with a hammer and if the tap achieves the right velocity … Continue reading
Why do we have to be quiet tonight: Christian Marclay’s Everyday
Everyday, a struggle with language, with time. Just to say something simple: on Saturday night I went to a concert, but to see it, to hear it? What we have learned from gender and language is that these problems are … Continue reading
falling under a charm: Rie Nakajima
Café Oto, London, 22 August 2012, after 9.00pm: a warm night; the place is quite full. A low table, facing the stage area. Sometimes children lay out old and unwanted toys on the pavement, sit together and hope to sell … Continue reading
to rush down
“Any old wood will do,” wrote Henri Michaux in 1949. The drum needed no skin. Just as long as your whole life could be concentrated into the impact of fingers, hand, fast, faster, less fast, slowly, very slowly. Silence was … Continue reading
Posted in into the maelstrom, Uncategorized
Tagged auscultate, Henri Michaux, music, play with sound, play with sounds
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mouth of shadows
Andre Masson: Automatic Drawing (1920s) “she speaks to me a language so soft that at first I do not understand . . .” (Aimé Césaire, Son of Thunder, 1948) “I have always wondered why automatic writing has not been invoked … Continue reading
. . . the hair on the head to hear . . .
“It was as though somewhere in the Sunday afternoon’s quiet and peace the screams of that child still existed, lingered, not as sound now, but as something for the skin to hear, the hair on the head to hear.” William … Continue reading
