Category Archives: writing sound

that lead beneath brambles to the bodies and minds of others

Posted on September 7, 2014 by

The book jacket is designed by Vanessa Bell, sister to Virginia Woolf. Her drawing for the front of the jacket is of trees and grasses, many black pen lines pulling and curling in vortical movement, little differentiation made between figure … Continue reading →

Posted in into the maelstrom, live sound, writing sound | Tagged , , , , , , , , , , | 1 Comment

Who will go mad with me

Posted on November 24, 2013 by

We were on Dartmoor, Brent Fore Hill at Ball Gate to be exact. The date was the 29th July, 1971, though there was little evidence of summer to be heard in the howling wind. During the same year I was … Continue reading →

Posted in live sound, Uncategorized, writing sound | Tagged , , , , , , , , | 1 Comment

A falling fourth or fifth

Posted on February 24, 2013 by

Bitterly cold this morning in Queens Wood but not too cold to hear the woman calling her dogs with a fluting falling call – ooh oooh – that reminded me of the similar calls my mother would sound out over … Continue reading →

Posted in instrumentality, into the maelstrom, writing sound | Tagged , , , , | 1 Comment

The Woman Seen Sweeping the Sea: Annabel Nicolson escaping notice.

Posted on February 5, 2013 by

If a piano becomes silenced through dereliction, keys detached like so much loose kindling, is it still a piano? I asked that question, silently to myself, watching Annabel Nicolson’s Piano Film (Camden Arts Centre, Film in Space, group show selected … Continue reading →

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Can I get a witness?

Posted on June 25, 2012 by

my essay for Scanner’s Witness project – David Toop on Witness – can be found online here: http://www.soundandmusic.org/projects/scanner-durham-brass-festival/david-toop-witness

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