Tag Archives: David Toop

many private concerts

I was obsessed with the slippery, unstable nature of the categories through which we learn to divide experience: time, the materiality of objects and the imperceptible slide into intangibility, what some called spirit though I would reject the word for … Continue reading

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Who will go mad with me

We were on Dartmoor, Brent Fore Hill at Ball Gate to be exact. The date was the 29th July, 1971, though there was little evidence of summer to be heard in the howling wind. During the same year I was … Continue reading

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Sound Thinking: Stuart Marshall’s Idiophonics

Wood striking wood, quick, hard, BOK! Impact sound sprays out, an omni-directional striking of all reflective surfaces and returning through time to the distributed centres of listening, the BOK-space of audition. This is the basis of Stuart Marshall’s composition known … Continue reading

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FLAT TIME/sounding: the absent desire object

A question to be asked: why compose for improvisers? Questions are directed at time: what are the possibilities for articulating time? Improvisations splinter time. Hit a sheet of glass with a hammer and if the tap achieves the right velocity … Continue reading

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Star-shaped Biscuit: haunting, spells, a drowning world

“The winter is the time of transformation and haunting, not necessarily hostile revenance, but the cold dusk offers access to a past that is almost overwhelming.” The Idea of North, Peter Davidson In the mid-1930s, photographer and painter Dora Maar … Continue reading

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end of play, for Lol Coxhill

Late one night in March of this year I was sitting in an eerie hotel within Tokyo’s Haneda airport being interrogated for a Japanese magazine (see http://onbanjidai.blogspot.co.uk/). The subject of the interview was music and comedy and despite my fear … Continue reading

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Can I get a witness?

my essay for Scanner’s Witness project – David Toop on Witness – can be found online here: http://www.soundandmusic.org/projects/scanner-durham-brass-festival/david-toop-witness

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