Category Archives: into the maelstrom

FLAT TIME/sounding: the absent desire object

A question to be asked: why compose for improvisers? Questions are directed at time: what are the possibilities for articulating time? Improvisations splinter time. Hit a sheet of glass with a hammer and if the tap achieves the right velocity … Continue reading

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Why do we have to be quiet tonight: Christian Marclay’s Everyday

Everyday, a struggle with language, with time. Just to say something simple: on Saturday night I went to a concert, but to see it, to hear it? What we have learned from gender and language is that these problems are … Continue reading

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harp on fire: Rhodri Davies

Recently I’ve been watching YouTube clips of Max Wall performing in his role as Professor Wallofski – http://www.youtube.com/watch?v=fEU8Hr4nqV8. The weirdness of antiquity hangs over this kind of comedy but unlike other entertainers of the Music Hall era, Wall’s influence (on … Continue reading

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falling under a charm: Rie Nakajima

Café Oto, London, 22 August 2012, after 9.00pm: a warm night; the place is quite full. A low table, facing the stage area. Sometimes children lay out old and unwanted toys on the pavement, sit together and hope to sell … Continue reading

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Lol Coxhill, Steve Lacy, Evan Parker: those three blokes

One of the hazards of writing difficult pieces at speed is that assumptions can turn into errors. An email from Evan Parker has set me right on the issue of the “Three Blokes”: “It seems almost churlish to offer a … Continue reading

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end of play, for Lol Coxhill

Late one night in March of this year I was sitting in an eerie hotel within Tokyo’s Haneda airport being interrogated for a Japanese magazine (see http://onbanjidai.blogspot.co.uk/). The subject of the interview was music and comedy and despite my fear … Continue reading

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to rush down

“Any old wood will do,” wrote Henri Michaux in 1949. The drum needed no skin. Just as long as your whole life could be concentrated into the impact of fingers, hand, fast, faster, less fast, slowly, very slowly. Silence was … Continue reading

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