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Category Archives: live sound
Who will go mad with me
We were on Dartmoor, Brent Fore Hill at Ball Gate to be exact. The date was the 29th July, 1971, though there was little evidence of summer to be heard in the howling wind. During the same year I was … Continue reading
Sound Thinking: Stuart Marshall’s Idiophonics
Wood striking wood, quick, hard, BOK! Impact sound sprays out, an omni-directional striking of all reflective surfaces and returning through time to the distributed centres of listening, the BOK-space of audition. This is the basis of Stuart Marshall’s composition known … Continue reading
Posted in instrumentality, live sound
Tagged Alvin Lucier, David Cunningham, David Toop, London Musicians Collective, Music/Context, Nicolas Collins, Rie Nakajima, Sculpture 2, sound art, Stuart Marshall
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FLAT TIME/sounding: the absent desire object
A question to be asked: why compose for improvisers? Questions are directed at time: what are the possibilities for articulating time? Improvisations splinter time. Hit a sheet of glass with a hammer and if the tap achieves the right velocity … Continue reading
Why do we have to be quiet tonight: Christian Marclay’s Everyday
Everyday, a struggle with language, with time. Just to say something simple: on Saturday night I went to a concert, but to see it, to hear it? What we have learned from gender and language is that these problems are … Continue reading
harp on fire: Rhodri Davies
Recently I’ve been watching YouTube clips of Max Wall performing in his role as Professor Wallofski – http://www.youtube.com/watch?v=fEU8Hr4nqV8. The weirdness of antiquity hangs over this kind of comedy but unlike other entertainers of the Music Hall era, Wall’s influence (on … Continue reading
Posted in instrumentality, into the maelstrom, live sound
Tagged ancient musical instruments, Bosch, Cafe Oto, harp, King Crimson, Max Wall, Rhodri Davies
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